Poetry |

“1985” and “Once in an Antique Shop”

Once in an Antique Shop

 

 

What in a baby’s mind allows her to laugh

before she has what we think laughter requires,

language, outlook, irony?  But here she is,

 

in this crammed and dusty shop,

eight weeks old, in her mother’s arms

and laughing.  The land may be coming

 

apart, warring lawyers, legislators, landlords,

and not-so latent fascists hard at work

undermining everything we stand on.

 

But the baby ripples all over and laughs

as her mother changes her diaper, then

settles her gently back into her pack.

 

Around us an over-priced Coca Cola sign,

a nicked and gouged wooden dough bowl

somebody will pay big money for.

 

What the baby doesn’t know delights her,

and her delight almost reaches me

as I finger a piece of Civil War lead

 

that may have passed through a man’s liver

then lodged in a tree — gouged out when?

and by whom? carried in what pocket?

 

for how many years? — to end up here,

where this baby gurgles and stretches her limbs,

grinning up at her mother from a world

 

without irony, where she is not separate

from anything she sees, a world before

like and lie and loathe, and so she laughs

 

in her great unknowing, as though she comes

from a place she hasn’t yet forgotten, a place

where such knowing doesn’t need to exist.

 

 

*     *     *     *     *

 

 

1985

 

 

After the supercell passed through, we were

stopped at the crossing, the dog and I,

watching the train’s cow catcher stuffed

with green boughs. Uprooted trees blocked

our route home, sent us down country roads

where radio towers blink all night, warning

whatever flies: turn away, don’t soar into me,

don’t be the moth seduced by a light that kills,

by that ultimate longing to merge.  And yet,

what night didn’t I drive toward light, toward

warmth, sloughing my coat at the door?

 

*

 

I could pick any year, say 1985.

What happened then?  Say I jogged the cemetery,

past storm-downed trees, uprooted sycamores

and oaks, then home into welcoming arms.

Say the world wanted only calm vanilla skies,

a vanilla president, and turned away from

darker sorrows.  Say in a church basement

I worked the can opener around the huge tins

of government meat, while another woman

stirred it into something edible for those

coming in from doorsteps and alleys.

 

*

 

Say there was a man in a black choir robe

with plastic spoons pinned down the front

like military medals.  And a young woman

whose pupils swirled when she spoke of outer

space, as if she thought that to study the stars

you first have to burn, lose yourself in light-

years until you can’t find your way back home,

and so drift through shelters and soup kitchens

among men with the scent of booze oozing

from their skin, with deep pockets in their coats

for cradling their bottles of moth-light.

 

*

 

At the end of the night, we’d send them out

into whatever storm was brewing, while

inside it was trash, scrub bucket and mop,

then the drive home stinking of grease

and sweat, home to warm arms, bright eyes,

and children wanting a story, a shirt

ironed for the next day.  Oh, in 1985

were we too busy making it all happen

to ask what it meant?  Though really I knew —

it was those arms at the end of the day,

and children I could feed kisses and stories.

 

*

 

It was the men and women at soup kitchen

wanting to tell someone how they spent their day,

a whole table of old women wearing white gloves.

In 1985 we got day-old everything from various

stores and concocted edible meals, and no matter

how many men peed on my tires, I got home

to lights, the door flung open, to lingering arms,

to children, the dog wagging, and most of all

to the bed where I’d lie down beside my love,

the way he’d chuckle on the verge of sleep

as if entering a sunlit realm after rain.

 

Contributor
Betsy Sholl

Betsy Sholl’s ninth collection of poetry is House of Sparrows: New and Selected Poems (University of Wisconsin, 2019), winner of the Four Lakes Prize.  She teaches in the MFA in Writing Program of Vermont College of Fine Arts and served as Poet Laureate of Maine from 2006 to 2011.

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