Poetry |

“The Pacific” and “Desperado”

The Pacific

 

If you pass them you curse them

‘cause you can knock them into a mountain, or off a cliff.  Bikes

 

always wind around the canyon, sure, but equipped. Slim speeders decked.

Now — these kids, what, ten and eight on BMXs, rust shaking off their chains,

 

standing on chipped pedals. Sharp juts of boy body — side to side to side.

No water. No helmet. No money. It’s June. Never money. They’re on their way

 

away from some tinderbox corner of their city called The Valley,

from some rough kids with rocks down in The Valley, at the Zody’s parking lot.

 

“Get ‘em!” still echoes off their sweat soaked bones.

“C’mon!” Ricky had shouted at the bottom of Old Topanga Canyon Road

 

and now, ten miles on, near Wildwood, Joey’s handlebars pop off.

He kicks out a foot near the traffic stream, twists in the metal, then they pump,

 

and pump west, burn daylight, burn the snaking pavement. Till—what a wonder

after that last crest, what blue! The sun blazing an inch over blue

 

foaming surf. They’ve never seen these waves, though their valley is so close

to this pacific.

 

“Let’s go,” Joey says after a minute, turning from the crush, and aiming his frame

back down the darkening canyon. I want to say they pause to breathe in the sea,

 

‘cause even lost boys go home,

but I don’t know if they have time to breathe.

 

*     *     *     *     *

 

Desperado

 

I heard they dumped 96 million black shade balls

into some Los Angeles reservoirs

where Joey and I fainted our first summer back

in Cali. We didn’t know we had to drink water.

We didn’t know we didn’t know

every thirst. I was a stupid kid. I thought I knew

the desperado in Desperado. Desperado

is a driving song. You keep water jugs in the trunk

so the song doesn’t stop when the Chevy overheats

on an ocean bound road

in July. It was the song

on the Santa Monica carousel when I looked for a daddy

on that spinning pier. A pier is like a hand

reaching out to sea. And, I once sang Desperado at a camp

and watched people cringe

when my smooth speaking voice didn’t translate.

They sucked their teeth on the other side of the fire.

Fuck you, I thought, I need this song.

All the truth I need to know about my dad is in this song.

The Queen of Spades told me so when I was seven.

(Yes, I drank that Kool-Aid

like a shade ball soaking up sun.)

And now, for the sixth time in my life, I sit across from him—

I inhale an egg-white omelet. I drink glass after glass,

which is doing nothing.

Watch him eat a burger with a knife and fork.

Watch him cast about at an art deco pattern behind me,

say, “It’s like planets!” It’s like feeling every feeling at once—

my trying not to talk about anything important,

my thinking I’m alone ‘cause Joey isn’t here, he’s never

here. Fuck you,

I remember thinking, I want you happy campers to feel me.

I must have sounded desperate. Dry mouthed, on stage.

Unloved. I love my dad but he can’t love me, no matter

how much I let him. I love

to sing in the shower, like all who are lucky

to have one and no voice. As if the pooling water in my throat,

the pooling water at my feet, and my desperate

arrhythmic stylings

are the thirst quenching pacific

of the Pacific.

 

Contributor
Jennifer Jean

Jennifer Jean was born in Venice, California, and lived in foster-care until she was seven. Her ancestors are from the Cape Verde Islands. Her poetry collections include Object Lesson (Lily Books) and The Fool (Big Table). She has also released the teaching resource Object Lesson: a Guide to Writing Poetry (Lily Books). She has been awarded a Peter Taylor Fellowship from the Kenyon Review Writers Workshop, a Disquiet FLAD Fellowship from Dzanc Books, and an Ambassador for Peace Award from the Women’s Federation for World Peace. She is the translations editor for Talking Writing, a consulting editor at the Kenyon Review, a co-translator of Arabic poetry and organizer for the Her Story Is collective, and the founder of Free2Write Poetry Workshops for Trauma Survivors. Jennifer is the new Manager of 24PearlStreet, the Fine Arts Work Center’s Online Writing Program.

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