Poetry |

“The Ballad of Gaol” and “Lorca”

The Ballad of Gaol

 

“Homosexual” wasn’t even used

in print until 1892. LAD was 21;

Wilde, 37. Ex-boyfriends, Robbie

Ross and Turner, turned against them —

testifying: too brazen.

An adjective. To Carlos Blacker, another

good friend eventually advised:

“The best thing he can do is

drink himself to death, or better yet, shoot” —

The Blackmailer’s Charter of 1885; indecent

letters in the hands of Alfred Wood, a rentboy;

LAD’s father, the Marquess of Queensberry

(These antique names, so faerie!)

proceeded having him declared: bankrupt.

His wife would pay him off, if he agreed

in May of ‘97, at his release from Reading Prison,

never to contact her, or their three children.

His lawyer: his ear was syringed of discharge

inside the wire grating of a rabbit hutch. “A poet

in prison for loving boys loves boys.”

For 2 years, earning a meal

required he crank the screw

10,000 revolutions. Gruel; diarrhea.

“It is always twilight in one’s cell, as it is

always midnight in one’s heart.”

The most famous criminal of his era —

Shorn, his photogenic locks. And bathed

in used water, given potassium bromide

for what, in a few years, we’ll call

“cruising.” Piccadilly, or Knightsbridge

Skating Rink. “The gods are strange

and punish us for what is good and humane.”

The blooming laburnum and garden lilac.

“Why is it that one runs to one’s ruin?”

Oscar Wilde, a.k.a. Sebastian Melmoth,

you’d never recover; you’d indulge —

A sex tourist in Naples! The humiliation

of being refused a dinner reservation.

The enemy of Victorian morality

and the raw banality of days,

presented the bill, then asked to leave

hotels in Nice and a forest village in Fontainebleu!

Recognized everywhere, the most celebrated

pervert in Europe: Paris, Rome, Sicily,

Switzerland! “My existence is a scandal.”

No country, effeminate.

Still, extravagant: a dressing bag,

embroidered. A nickel-plated bicycle, a gift.

A bottle of Pernod absinthe on the washstand,

scattered papers, clothes, and a bowl of ash:

the final unkempt rooms at Hôtel d’Alsace.

Blue wallpaper, with chocolate-colored flowers.

“Unfurnished, I am my own master.”

Bloated, drunk, disgraced, admiring for hours

A Man in a Black Shirt, 1897; Charles Shannon’s

self-portrait. From May until November,

your final months, you’d suddenly meet Rodin

who welcomed you on

a personal tour of the Gates of Hell

at the Exposition Universelle!

Before a pauper’s burial at Bagneux

in 1900, without a headstone —

 

In 1898, artistically bereft at l’Idée,

boating and bathing in the Seine;

poor, in debt, you would publish

anonymously, as Prisoner C.3.3.

 

*     *     *     *     *

 

Lorca

                        —for Wayne Koestenbaum

 

A bucket of quicklime;

an unmarked

pit. Two

anarchic bullfighters

 

and a schoolteacher

dumped

roadside, between Alfacar

and Viznar —

 

Perhaps I’ll finish hearing

the value of the sea

at Málaga

come to the window . . .

 

War. An abstract

seascape;

a day at the beach

memorialized:

 

Still Life with Waves,

August 18th

1936. So alive, this

geometry!

 

In Santander,

bombed

on the parapet,

my “secretary”

 

Rafael Rodríguez Rapún

to whom

I’d dedicate

The Dark Sonnets, withstood

 

the anniversary

battle, raising his arms.

The waves, the waves,

a fresh gauntlet.

 

He had, a Falangist

bragged

in a crowded Granada

bar, shot me “twice

 

for being ‘a fag’”

to celebrate. Federico

García Lorca, I’ve known

and not known

 

such dubious coterie —

Said my family,

in 1980, to the papers:

“We would have shown him

 

the door!”

Envy, a green lash —

Horse

of exhilarations.

 

Contributor
Miguel Murphy

Miguel Murphy is the author of Detainee (2016, Barrow Street Press). He lives in Southern California where he teaches at Santa Monica College.

Posted in Poetry

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