Poetry |

“My Mother’s Autograph Album”

My Mother’s Autograph Album

 

The bound leather a skin of dust

and embossed — New York, 1939,

World’s Fair Edition. 

Pages bordered in gold leaf.

 

Untouched for eighty years.

She had saved it on her closet shelf

beneath her feathered caps

with the netted veils,

New Year’s noise makers

and buttoned evening gloves,

high heels, patent and silver.

 

Behind that door there was everything

she never closed a door on,

leaving me the keeper

of her album, the glossy photos

followed by a list of her “Favorites,”

Oliver Twist, the book,

Mark Twain, the author,

“a stitch in time saves nine,” motto.

 

And on a sky blue page,

her parents’ autographs

in chicken scratches of Yiddish,

names of classmates,

voted the brightest, most

popular, or wittiest,

 

then a boy’s clean script:

Dottie’s like a little star,

riding on a trolley car,

when the car gets off the tracks,

Dottie wants her nickel back.

 

Those are the boys who will enlist

and maybe survive the war,

the girls who will sit

at switchboards, receive rations,

and send packages to the boys.

 

Each faint inscription and name

seems like a hand waving on Armistice Day

Here! I’m over here! and my mother

throws them a kiss.

 

Contributor
Judith Harris

Judith Harris is the author of three books of poetry, Night Garden (Tiger Bark, 2013), The Bad Secret (LSU, 2006) and Atonement (LSU, 2000), and a critical book, Signifying Pain: Constructing and Healing the Self Through Writing. Her next book, Poetry and Grief in Romantic and Contemporary Elegies, is forthcoming from Routledge.

 

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