Poetry |

“Figuration” and “Pandemonic”

Figuration

 

 

The sadness of diplomas, of frames that hold them,

of umlauts and the imperative tense,

idioms and assonance and bitter pills,

class, and caste, and paste that dries

too quickly to unglue, of dial tones

and minor chords and kumbaya,

of the tone-deaf singer who won’t stop crooning

until the band packs up and leaves.

 

The silence of lawn chairs in falling snow,

half-built houses draped in tarps,

satellites that blink across night sky,

their lights a pulse that leaves no trace.

 

The sorrow of the understudy, of waiting

in the wings, of missing scripts and words

for wishes, candles that won’t stay lit,

of tracks in snow that weave through trees,

smells that bloodhounds chase, of rage

and sirens and wine-dark seas, ears

stuffed with cotton, of being buckled in,

holding and being held, of empty runways

and distant places no planes fly to.

 

 

*     *     *     *     *

 

 

Pandemonic

 

 

The arm in its socket turns inward,

heartbound, a transit of vowels

turned back at the shuttered gate,

phonemes that rust in gin’s soft rain.

 

Matter flings itself outward,

centrifugal force too fierce to contain,

disordered by benzos

bought on panicked streets.

 

Bellwether of bad behavior,

villain of ill-advised ardor,

speak to me of chemicals,

of criminals under the radar —

economy of boom or bust.

 

Contributor
Wyn Cooper

Wyn Cooper has published five books of poems, most recently Mars Poetica (2018, White Pine Press). His poems have appeared in The New Yorker, The Paris Review, and Poetry, as well as in 25 anthologies of contemporary poetry. His poems have also been turned into songs by Sheryl Crow, David Broza, and Madison Smartt Bell. He lives in Boston and Vermont, and works as a freelance editor. Concord Free Press will publish his first novel next summer. www.wyncooper.com

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