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“Premeditatio Malorum”

Premeditatio Malorum

 

 

The old people dealing cards at the picnic table in porchlight —

a study in chatter and laughter and smoke, in yellow buglight and shadow—

are a comfort that grants the children this freedom, this courage

to wander the edges of darkness, to leap at the moths that flutter

 

over our heads in the August heat, to part the grasses and search

for the creaking katydids, to sit in the outhouse and stare

at the Hopalong Cassidy poster while spiders shake their webs

in the ceiling corners. I try to name all the cousins daring the pathways

 

through the orchard — David, Linda, Kenny. I cannot remember them all.

The flooded quarry is already half-memory, half-possibility. If I’d had the words

I might have said “this phenomenal dark,” “this proffered bounty,”

“this moment eternal.” The orchard lifts its gnarled arms in moonlight.

 

August and the apples already rotting in the grass, all day swarmed

by yellow jackets and black, wing-flicking wasps. A rising sweetness

in the humid air. House of yellow siding and thwack of screen door.

House of lemonade and lace, of blue doors and crowded hallways.

 

Of bright bowl on a rickety table. Of lilacs and toads. Nighthawks

meeping, whip-poor-wills whistling their names in the wild raspberries

and sumac. I am too young to imagine even the next moment.

Caught between the evening’s ruckus and the stars’ scintillant quiet.

 

Caught in the drama of departure. While the uncles and aunts

and cousins line up for their empty dishes and goodbyes.

I want to be everywhere and nowhere. Bluebirds

in the orchard, box turtle in the pathway. A lather of tease

 

and counter-tease. A scrum of the unruly. I’m the one hiding

in shadow, dodging the aunts’ kisses and hugs. I’m the one

who crayoned his name on the outhouse wall. Soon I will be

the one who has to gather the younger cousins and herd them home.

 

Soon the bright sun will rummage through these lineages,

these adenoidal boys, sorting them into the living and the dead.

A fistful of jacks and a ball. A pocketknife. A scattering of soldiers

in their shale forts, patrolling the dirt roads, an anachronism of trucks

 

in a makeshift lot. I am thinking maybe time is the answer.

Time that marks and scars us — the ruined berries, the poison ivy

reddening where it curls around the maples. Spume of spores

above the puffballs. What is left for the imagination? Memory

 

is a knothole in a fence, a skewed view, a bend in the high-grass path,

a black racer’s waterslick tail going and gone. And later, sluggish pipefish

unscrolling in the sunlit shallows. Horseshoe crabs scuttling like tanks

down the drainage channel from the treatment plant.

 

Another day and I’m in a city alley, brmmming a dumptruck

beside the red-haired freckled boy I am told is David. Although

I don’t know it yet, we’ll soon be gone from this neighborhood.

My father will stand alone in this same alley and turn red

 

with rage when he sees that his wife and boys have vanished.

Time will have ruined everything. Or that is the illusion — time

as a succession of movements away from and toward, until suddenly

I am in Santa Fe, New Mexico, wondering how anything,

 

anything at all could happen as it has, as it will. As it must have?

But that is a religious question, and I

am six years old. God is the pollen in the air, the light

breeze churning it, the sunlight dazzling it with presence.

Contributor
Jon Davis

Jon Davis is the author of seven poetry collections and six chapbooks, most recently, Above the Bejeweled City (Grid Books, 2021) and the chapbook Choose Your Own America (Finishing Line, 2022). His Selected Poems 1983-2023 is forthcoming from Grid Books in 2024. He also co-translated Naseer Hassan’s Dayplaces (Tebot Bach, 2017). He has received a Lannan Literary Award, the Lavan Prize from the Academy of American Poets, and two National Endowment for the Arts Fellowships. He taught creative writing and literature for 28 years at the Institute of American Indian Arts where he founded the school’s Low Residency MFA in Creative Writing. He served as the City of Santa Fe’s fourth poet laureate.

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