Poetry |

“What I Want Isn’t What I Want to Want” & “And What of the Fleshy Contents of My Skull?”

What I Want Isn’t What I Want to Want

 

 

I want insomniac stars

the size of sunflowers.

 

*

 

I want to dig in, eat fancy-lace polymers

for breakfast, each inorganic molecule

a unicorn in captivity.

 

*

 

I want to swap bodies

with my long August shadow

stride alongside Modigliani’s

thin-necked women.

 

*

 

I want to gather my own bones

wield my ribcage like a rake

sift through my father’s ashes.

I want his gold molars.

 

*

 

I want to live a Stoic’s life, but only once

I’m robed in purple and crowned

in emeralds and amethysts.

Till then, I’ll have to hustle

lie, and cheat.

 

*

 

Who doesn’t want to snatch victory

from the jaws of a circle

with no circumference

no center?

 

*

 

Who doesn’t want to know

if they’re sleeping when they’re awake

if they’re dreaming when they’re at home

or if they’ve become insane

in the vicinity of riches?

 

*

 

Some confessions are penned

without a single point of punctuation.

Wanting for nothing, some lives are sadly blessed.

 

*

 

I’d rather be cursed like night

by a field of sunflowers seething

with seeds of antipathy

toward the stars.

 

 

*     *     *     *     *

 

 

And What of the Fleshy Contents of My Skull?

 

Above, cumulus clouds appear

with the sound of empty thought balloons

in a comic book about life

in the eternal present no one

has time to read.

            Beneath the rust-

red trestle bridge, the river froths

and foams, pale green like the flesh

of the honeydew melon (Cucumis melo)

I tried to eat this morning, but too soon

before its name had fully plumped itself

            into being’s

                          beatitude!

But it’s noon now, and I’m walking across

the river, perpendicular to the rushing

water forever whispering its way

into and out from the mind’s ear-shaped

estuaries and bays.

            Just moments before, my mind —

which still isn’t working

right — had rippled along the shore

along with summer’s late surprise

at all the crumbling eyesores, the extant rows

of redbrick cottages, vacant now, and half-

concealed by unkept groves of linden (Tilia americana)

whose luminescent leaves I want to say are like

the fat, curvilinear eyes and cheeks

of Renaissance cherubim!

            All I’m saying is, everywhere

there’s empirical evidence

of empyreal design, there’s something

to see, something to know, something

to live for! Or maybe

I’ve just been duped into thinking

this way, ever since the morning Adam

first awoke, feeling denotative, proprietary

and vaguely American — how, before he begot

or bit the fruit, his mouth was already full

of worldly appellations!

            And maybe I’m wondering

if all this naming didn’t also colonize

our imaginations, slowing the swift-

flowing waters of kisiskāciwani-sīpiy

into the “North Saskatchewan River”

curtailing its current of syllables, soothing

its spumy vowels into something easier

to ignore? But this is not your river

            and not your place

to say, whisper the clouds inside

my head. They’re telling me the epistemic joke

that language likes to tell itself

must eventually fall

flat. They’re saying this bridge will rust one day

and call it quits, along with the fleshy contents

of my skull — kersplash!

But not before

the linden’s protean leaves yellow, almost

redden, then come fluttering down

like so many clever hands severed

            from their wrists —

yet still trying to write, spinning around

their quill-like stems as if to inscribe the air

with a few last words before

they either hit the ground

            or skim the water’s surface, find purchase there, and let the river take them …

Contributor
Chris Hutchinson

Chris Hutchinson is the author of four poetry collections and the speculative autobiography-in-verse novel Jonas in Frames (Goose Lane Editions). Poems from his forthcoming book Lost Signal (Palimpsest Press, 2025) have appeared in Hobart and The Cincinnati Review. Chris holds a PhD in Literature and Creative Writing from the University of Houston and presently serves as core faculty in the English Department at MacEwan University on Treaty 6 Territory, in amiskwaciwâskahikan (Edmonton, AB, Canada).

Posted in Poetry

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.