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“Good Girls, Good Mothers” & “Talking to Animals”

Good Girls, Good Mothers

 

 

Mothers who had to wear white gloves but wouldn’t

force their daughters to. Mothers who played

field hockey and basketball. Mothers who didn’t know

whether a body was made to hurl

 

into the world or to be viewed through glass

and dusted daily. Mothers who married

before sex, who were taught nothing,

who knew little of the desire they saw floating

 

through the air like bubbles. Mothers who

smiled at innuendos but never understood them, even

after their children had begun to learn the languages

of other people’s bodies. Mothers who starved

 

themselves to fit into narrow-waisted white

wedding dresses they kept forever because they were

supposed to. Mothers who divorced, mothers who

didn’t. Who tried to do the right thing.

 

Mothers who held their children when they shivered

and broke hairbrushes on their backsides,

laughing out loud as the punishment turned

ridiculous, pieces of plastic and bristles flying

 

across the bed. Mothers who never joked

about animals, mothers who taught how to cook

and sew, who became nurses instead

of doctors. Mothers who loved snow-capped mountains

 

and sang songs from The Sound of Music.

Mothers who read books, mothers who relished

plunging their hands into the dark earth to bring forth

tomatoes and green peppers. Mothers who named the birds

 

then dressed for cocktail parties like a knight

for battles. Ghost mothers standing in fields

on the other side of cancer, waiting to receive us, especially

the ones whose mothers couldn’t love them enough,

 

the living who fear what happens after, the suffering

and the shamed and those who made mistakes —

which is all who were born into this world,

all who will fall or crash or sigh into the next.

 

 

*     *     *     *     *

 

 

Talking to Animals

 

 

If you open my head like a flip top

everything will be a green

horizon, corn and soybeans going

 

on forever, sky generous enough

to hold every loss as lightly

as a frog caged in gentle fingers

 

and carried back outside to live.

Barn with a white aluminum roof

that amplifies the rain until

 

the sound is drenching. Horses

lowering their heads to whuffle

for a carrot held on a flat palm,

 

eyes of every animal I loved and wanted

to be: dog cat raccoon cardinal swan

cheetah, my favorite

 

because I craved speed. I suppose

people must be there too but I don’t

think I ever knew them purely, even

 

my sister who understood so much

about our childhood and died

before me. I want to believe we will meet

 

on that old farm in the flatlands,

young again and able, this time,

to hear what the animals say back.

Contributor
Katherine Riegel

Katherine Riegel is the author of Love Songs from the End of the World (Main Street Rag)the chapbook Letters to Colin Firth (Sundress Publications), and two more books of poetry. Her work has appeared in Brevity, The Gettysburg Review, One, Orion, Poets.org, and elsewhere. She is co-founder and managing editor of Sweet Lit, and teaches online classes in poetry and creative nonfiction.

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