Poetry |

“How I Know We Come From Oceans” & “You Have to Swallow the World”

How I Know We Come From Oceans

 

 

When I was small

I sucked my thumb for salt.

 

Long before any wave

had reached for me, my blood

 

turned tidal, smelled of marsh

and mudflat, of pickleweed

 

and rusty algae. Once, surf

tumbled me inside out, a current

 

refused to let me go. Now I never

turn my back on swells.

 

When I take my shoes off, I always find

some sand between my toes:

 

As if my socks are woven from dunes.

As if my feet would be webbed.

 

My dreams wade beyond the sea-wall.

Sleepless nights miles from an ocean,

 

I hear roaring in my ears.

My blood is that eager to swim.

 

 

*     *     *     *    *

 

 

You Have to Swallow the World

 

“To understand just one life you have to swallow the world”

 —Salman Rushdie, Midnight’s Children

 

 

But the world is hard, weighted

by concrete, sharp with bayonets

and belfries, in each bite, shards.

 

The world is salted with exhaust

and exhaustion. You’d need gallons

just to wash down the mountains

 

of paper, dry with scribbling.

As for tribes and tribulations,

hypodermics and hypocrisies,

 

altercations and assassinations,

imagine all that swallowing.

Say you begin with some sweet bit,

 

that first grin-like lift at the corner

of a newborn’s mouth? After

you move on from amuse-bouche

 

to beggar’s bowl, spent cartridges

wedge themselves in your throat

like chicken bones.

 

When you get to refugees,

their parched treks and doomed rafts,

you’re moistening each mouthful

 

with generations of tears.

That’s before you face the oceans

sick with plastic, and retreat

 

to your own familiar table, fork on the left,

dull knife on the right. By the time you sit

to the everyday supper you’ve cooked

 

or have been served by fate,

you’re already heavy — knowing

you would need the appetite

 

of Zeus or the belly of a Buddha doll

to understand just one human life,

beginning with your own.

Contributor
Susan Cohen

Susan Cohen is the author of Throat Singing (2012), A Different Wakeful Animal (2016), and Democracy of Fire (2022). She lives in Berkeley, where she was a journalist before earning an MFA from Pacific University. Her poetry has appeared in 32 Poems, Prairie Schooner, Southern Humanities Review, Southern Review, Tar River Poetry, Verse Daily, and was awarded the annual poetry prize from Terrain.org judged by Arthur Sze, and the Red Wheelbarrow Prize judged by Mark Doty. More at www.susancohen-writer.com.

Posted in Poetry

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