Poetry |

“Very Long Marriage at Bedtime,” “Not One; Not Two,” & “Negativity Bias”

Very Long Marriage at Bedtime

 

 

I had somehow not remembered

that any number times zero is zero.

David said, think of it this way,

20 zeros are nothing. We were in bed,

teeth cleaned, night guards ready

on the bedside tables. His three pillows

stacked behind his head, my five arranged like a boat

to cradle my back, an almost orange

moon penetrating our window through

smoky darkness like a blaze about to leap

across an expanse of pine forest. How

did this happen? All these years together

compressed into this moment of repeating

moments, so many of them indistinguishable;

so few of them recallable. What does dividing

any number by zero do to that number?

This is sort of fascinating, he says, that you

don’t remember any of this. He rolls

toward me, glides his hands around my hips.

His breath is minty, the skin on his face, flushed.

You’re cute, he says, what else

don’t you remember?

I remember running into you

at the Albuquerque airport, honey,

I say, after not seeing you for so many years.

You wore black jeans and a black tee shirt,

a black belt with a sliver buckle, black

Dr. Martens; I looked at you, your jet-black hair,

and somehow I saw that we were about to combine

sorrows and joys into the terrifying equation

of two people equaling one home. I remember

being panicked, my heart leaping into an abyss,

then sinking to my stomach as I watched

what was to become the rest of my life

glide his luggage off the carrousel. I remember

every minute of each labor, each delivery

for both children, and how going into the birthing

room for the second time, I remembered:

pay attention as the baby exits, that final

wet sliding out of me. I remembered

to pause for one of the swiftest moments

in my life, a whole new warm body

joining the living.

 

 

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Not One; Not Two

 

The foothills thrive with wild daisies and the warm soapy smell of Apache plume. A red ant with a missing back leg pushes a tip of dry grass three times its size along the dirt trail, arriving at a small branch where it cannot push the parcel further. I lift the branch, and the ant resumes its task. I pass an enormous anthill teeming with movement. Someone has placed a plastic straw in an opening and the ants tunnel out, landing in a heap on top of each other. In the windy canyon below, a pair of white throated swifts mate mid-air. Their eggs will hatch in a nest of twigs and moss glued to a rocky cliff with their saliva, which ants will climb to lick. On the patio yesterday, I watched a burly carpenter ant get trapped in a web a spider was actively weaving, then work its way out to attack the spider. The insects wrestled on the concrete until the ant had the final swipe and marched off, leaving the spider stunned. An hour later, on my return through the foothills, there is the same red ant with the same piece of dried grass heading toward one of the openings in the big mound. Several from its colony hurry to meet it, and from this ant, two workers take the grass tip, carry it in front of their heads into the nest, while others investigate with their antennae, the space of the ant’s missing leg.

 

 

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Negativity Bias

 

 

We are wired

to expect things will go wrong —

and when they do, to remember them

more vividly than all the beautiful fragments of our lives.

 

We pretend that worry might predict an outcome.

I place my hands evenly on the table

fan the phalanges,

listen to the whirl of a buzz saw cutting through planks

 

in the neighbor’s driveway below.

I seek evidence to confirm what I believe —

who would expect wild chickens on a Florida cay

or that while I was looking one way

 

a leashed dog would leap across the sidewalk and sink its teeth

into my daughter’s thigh?

From what I imagine, the sea will continue its ascent,

still I want, so badly, to hold things in place.

 

I walk past a man on Elizabeth Street

wearing a FUCK LETTUCE tee-shirt,

the U an applique of a ribeye —

someone went to a lot of trouble to get this just so —

to fit the steak into place like the slats of a veranda.

 

Earlier there was the buoyant chatter of wild chickens

mating under the creaking eaves of tin roofs,

rainwater from the gutters rolling off their backs.

Like worry, chickens pluck and pluck at indigestibles.

 

I squeeze my right wrist with my left hand,

the ulna pops —

a sharp ache hurries into my upper trapezius.

This is the evidence I am looking for.

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