Poetry |

“A Burrow”

A Burrow

 

 

The burrow is lined with fragments

of language. Some are mine,

but most

belong to the old ones I adore.

 

When I say one to myself, a moment

of my past unfolds,

without judgment or accusation,

just that peculiar flavor

that’s like one of the senses but isn’t any,

 

or a compound of all …

So À la pêche aux moules

is Paris, rainy autumn,

when tv journalists made politicians

sing that child’s song

on the steps of the Élysée.

 

When I go to that place, it must be

invisible to others

as the moment of a poem’s

first lonely stirrings.

 

At night and sometimes all day

I lie safe in the midst of them.

 

Some would say this is no life at all,

but how could that be,

when all of my life is

eternally present?

 

Of course, I must sometimes go out

for new images.

 

Then others might catch me

observing the sunlight

as it falls on the whorls

of a particular tree.

 

— after Kafka

Contributor
Alan Williamson

Alan Williamson, poet and critic, is the author of several collections of poetry, including The Pattern More Complicated: New and Selected Poems, Res Publica and Love and the Soul. Critical writing includes Almost a Girl: Male Writers and Female Identification, Eloquence and Mere Life: Essays on the Art of Poetry, and Pity the Monsters: The Political Vision of Robert Lowell. His honors include fellowships from the Guggenheim Foundation and the National Endowment for the Arts as well as a grant from the Massachusetts Arts Council. He continues to teach at the Warren Wilson MFA Program, and recently retired from teaching at UC Davis.

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