Poetry |

“Onset of Dusk at Wood’s Gulch” & “Some Nights”

Onset of Dusk at Wood’s Gulch

 

 

The four of us at her picnic table

after his memorial.

 

Remembrance slowed

to incomplete sentences,

 

we listen

for evening primrose petals’

 

yellow to unfurl,

listen for

 

hummingbird moths

wooed by primrose — their spun wings

 

simmering night’s quick cool-down.

Probosces, long, wire-thin,

 

dip into stamens, hover, dip

so near us that we,

 

inside our listening,

dip again

 

into his voice: it doesn’t get

any better than this —

 

not so much

the sentence, more

 

its quickening pulse —

the this, the this.

 

 

*     *     *     *     * 

 

 

Some Nights,

 

I wake because I hear you stop snoring.

I hold my breath to hear you breathe,

but I don’t hear as well as I once did,

so I breathe as you do; rattle and flute

until the mattress sags as you turn, and

I drift off to your raucous breath-to-breath.

Such nights, arms pinned at my sides

by that dark I hear inside the dark air we share,

my hand can’t lift itself to touch your skin.

That dark’s too dark to measure distance true —

have you edged close to what I fear for you,

or are you just a breathless moment’s sleeper

sprawled near the edge of our wild bed?

Contributor
Elizabeth Libbey

Elizabeth Libbey is the author of three collections of poems:  The Crowd Inside; Songs of a Returning Soul, and All That Heat in a Cold Sky, all via Carnegie Mellon. Her work is forthcoming in Canary Literary Magazine. She is retired from Trinity College in Hartford, CT where she taught for over 30 years.

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