Poetry |

“Hotel-Dieu,” “Fine” & “The Mockingbird Was Doing the Jay”

Hotel-Dieu

 

 

It’s easy to gaze at the great cathedrals

and not consider that magnificence

 

was created brick by brick on the backs

of workers, some broken by the heavy load,

 

some with skills we can’t now imagine;

easy also to believe Jesus spoke English,

 

if you don’t want to trace all the words

his words passed through to arrive at us.

 

I’m addressing you, invader of my dream,

with your guns-and-God tattoo, your slow car

 

driving over the day lilies, circling back

to mock my lawn sign’s love, as if you think

 

it’s another conspiracy, a flu shot containing

computer chips.  In the dream, Jesus

 

with his Elizabethan English was saying, Verily,

and Watch out, then something I translate as,

 

“Don’t be a room with no doors, unless

you also have no walls.”  A crowd gathered.

 

I don’t like my therapist saying I have to be

every person I dream, even you, shouting,

 

so angry I wake breathless in a sweat.

Fear not, in how many thousand translations?

 

Jesus had been telling a story with more meaning

than a hospital has windows.  To understand it

 

he suggested we check ourselves in and look

through each one, until we’re like those builders

 

fitting beam and stone, making something so big

they knew it was far beyond them.

 

 

*     *     *     *     *

 

 

Fine

 

 

The past can be a stain impossible

to remove, like mold that grows itself.

 

But when my 7-year-old daughter said she hated me

for making her take a bath, all I said was fine.

 

Long before her age, I’d lost my father

and been moved across the country.

 

So when that child said she hated me

for marching her upstairs to take a bath,

 

I just said fine, I said, hate me all you want

as I peeled off her muddy pants and shirt.

 

I didn’t know who took my father,

why we got on a train and didn’t go home.

 

So that’s life, I learned: loss everywhere,

ready to happen again any time.

 

I said hate me all you want as I plunked her

in the tub and she let out a little oh.

 

Because loss is always there or coming

like a stain you can’t scrub off the floor,

 

when my daughter said I hate you and all I said

was fine, and the water was just right

 

and she had to grin, had to flick a little

in my face, it was a moment to remember.

 

Passing, yes, but not lost.

 

 

*     *     *     *     *

 

 

The Mockingbird Was Doing the Jay

 

 

He was good at the screech but not the tootle.

 

The jay who squawks smaller birds

from the feeder doesn’t like being mocked.

 

Dressed in his military blues and grays,

he stiffens to shrill, “Who art thou?”

 

And the mocker answers back, “Art, art —

I do art. I can do cardinal, titmouse, robin

 

and I can do you.”  “That,” the jay retorts,

“is imitation, not art.  Art is the inner,

 

the under, the true, my many shades of blue.”

After which, he zooms into a spruce,

 

squawks his air horn ovation, then his flute.

But the mocker’s undaunted. “My art’s in

 

the litany of repeat. I keep the robin song going

when the robin’s long gone.”

 

“That’s the echo, not the is, the jay asserts.

But the mocker comes back, “If you are

 

the big is, the real, that’s nature, not art.

I listen and make what I like into song

 

just for the singing, I sample and mix

until it’s my own, not mimic, but music.”

 

The jay answers with one jeer and is off

to a high limb checking an acorn stash.

 

Meanwhile the mocker starts changing,

rearranging his tune, asking,

 

“Art not we, my friend, an I and a thou,

an is and a song, better together than alone?

Contributor
Betsy Sholl

Betsy Sholl’s tenth collection of poetry is As If a Song Could Save You (University of Wisconsin Press, 2022), recipient of the Four Lakes Prize. She teaches in the MFA in Writing Program of Vermont College of Fine Arts, served as Poet Laureate of Maine from 2006 to 2011, and was awarded the 2020 Distinguished Achievement Award from Maine Writers and Publishers Alliance.

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