Poetry |

“Fitting the Profile” & “Traffic Report”

Fitting the Profile

 

 

I have hesitated. I continue

to hesitate. I move from sun to shade

for the illusion of not getting burned.

We should have more words for shade.

 

Having been stopped in four different cities

for fitting the profile, I have now outgrown

that profile: young white punk alone

behind dumpsters or on a 3 a.m. side street

in the nice suburbs or in an angry cluster of similar

white boys of long hair and suspicious odor,

or parked in the empty lot of the abandoned theater

putting on an unrated show in their spotlight.

 

I can’t imagine being black — and young

and just walking. Multiple choices

dance their awkward No’s in unison,

which I imagine — but I just said I can’t —

but shouldn’t I? Try to imagine? As if

we could explain it away — wrong drugs,

mistranslation, regional hysterical tradition.

Fit the profile. Assume the position.

Assume the assumptions.

 

Once, they could not pretend

they were really looking for me.

Twice, they should have taken me in.

The peculiar smell in the back

of a cop car is not old cum or stale perfume.

It’s Fear 101 or Advanced Fear, or both.

How many hands against how many

cars, how many cuffed, how many heads

shoved down into that seat?

 

Just doing our jobs — did Pontius

Pilate originate that phrase? Mum

is not the word, but what is the word?

 

Hey, remember the time cops frisked us

in the Red Apple parking lot?

And in the gravel pile behind

Atlas machine shop, and in the shadows

of Pearl Street and the safety

of Sterling Heights, as flat as a run-over

dog? Remember at the Canadian border

when they found a pot seed in the floor mat?

You can never really erase a chalkboard.

It’s all there beneath the layers of dust.

 

Don’t be fooled. I’m talking to myself.

Don’t be fooled. Last night on the Warren side

of Eight Mile Road: three cop cars twirled

their hysterical lights, two black guys

in the position while six white officers

chatted and squawked on their devices.

Two hands rested on holstered guns.

When a hand rests on a gun, what kind

of rest is that? Keep moving,

keep moving. One Black guy caught

my eye, and gave the look that says

I know your story. He, who could not

keep moving.

 

They let us go. They always let us go.

 

 

*     *     *     *    *

 

 

Traffic Report

 

 

I saw the mirage of an old friend

on the street this morning.

 

I was walking through the intersection.

She sat in her car at the stop sign.

 

I looked over, as I always do

to make sure I won’t die.

 

Our eyes met. Nothing we could do

to pretend otherwise.

 

We have not been friend for years.

A multi-car pileup on the turnpike.

 

Nothing survived. She waved. I waved

as if to acknowledge her car

 

had stopped. It’s the safe thing

to do in my pedestrian life.

 

We waved at the mirage

of friendship, knowing it

 

would burn off like all mirages do.

I kept walking, she kept driving.

 

We did not need signs

to tell us what to do.

Contributor
Jim Daniels

Jim Daniels’ latest poetry collection is Comment Card (Carnegie Mellon, 2024). His new fiction collection is The Luck of the Fall (Michigan State University Press, 2023). A native of Detroit, he lives in Pittsburgh and teaches in the Alma College low-residency MFA program.

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