Poetry |

“Girl Walking Uphill in Darkness (Nine Inquiries)” and “Abysmal Zone”

Girl Walking Uphill in Darkness (Nine Inquiries)

 

 

dear diary

some thoughts about revelation and secrets

if every morning I move the complete contents of one drawer to another drawer

if every day full

becomes empty

do I need a lock

do I need to tell someone

the combination

 

 

dear diary

let us question our instruments

the glitter gel pen

the mechanical pencil

are you pale slick and shimmering

is impermanence a concern

 

 

dear diary

is your consciousness continuous

or do you wake when I wake

like the light in the refrigerator

 

 

dear diary

could there be a second diary in my mind

full

o the potential

 of pages

 

 

dear diary if I changed my handwriting

would you feel uncanny

do you know the weight

of this hand

 

 

dear diary do you yearn for a body with more than two covers

something complex

warm & jointed

 

 

dear diary what was your very first cell

in which direction did you grow

in duration

collecting pages one by one

or in size

beginning as a postage stamp

of zero value

at first were you lines

or the spaces between lines

 

 

dear diary I want to talk about metempsychosis

when I start a new diary will your soul fly into it

when I open the old one will your soul fly back

will you get tired

I might do this often

 

 

dear diary when people get older they burn their diaries all the time

or their mothers do or their fathers

it’s so aggressive

immolation

wouldn’t you rather be buried at sea

or enclosed in a well

of cool water

the glue on your spine unbinding

fibers separating

drops of ink like black stars

loosed

from their constellations

 

 

*     *     *     *     *

 

 

Abysmal Zone

 

 

And after a dog, two children, a crippled monarch butterfly, my husband

returns from Petco with fish. Four fish, which cost about four dollars

apiece, and you get what you pay for because by night two

 

the rainbow fish is dead. I spend fifteen minutes searching for the body with my net

and yes the tank is small; the tank is translucent; I have unobstructed visuals

on four sides. Eventually I find it hidden almost underneath the fist-sized rock

 

which anchors the plastic bamboo. The body can’t have fallen there;

it’s half-covered by the bed of neon pebbles my son picked out

and laid with a great gentleness in the empty tank before the fish came home.

 

The gray fan-rudder of a tail appears chewed. My husband takes a look and jokes

they dumped it in New Jersey — the body does seem stashed; the small pink fish

nervously hovers by the pineapple; the orange fish stalks around the top quarter

 

of the habitat. (The orange fish is next to go.) The black-and-yellow keeps returning

to the body, visits and departs, visits, and departs. For a moment, my mind

allows the question — is this grief? — and closes it, decides that black-and-yellow

 

is a bruiser. Our friends who visit for lunch have kept their fish alive three years

in their son’s bedroom, although the tank is green and funky. Over hot dogs

they begin to tell us how on Halloween they stepped out their front door

 

and saw on the street a car hitting a child in costume. My husband tries to stop them,

to prevent me from hearing any of it, any detail, or the resolution

because lately in the dark I cannot tell the difference between what is a tree

 

and what is a body. Have I seen in the moonlight a figure

waiting on our lawn as if posted there, unmoved by any breeze? I squint

through darkness, try to make him out, and feel the fine net falling all around

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