Poetry |

“Greater Scope” & “Working After Dark”

Greater Scope

 

 

There’s a window in the upper storey

of the carriage house that serves as our garage.

I climbed up to clean it

from the inside, where bugs and lack of rain

had made the glass filthy.

 

On the floor under the sill —

a small mop of feathers, remains of a bird

that had found its way

past the chicken wire I’d nailed over

every open space against raccoons.

 

And we know how it died,

and with what hope and cruel frustration

(of which, thanks to me and a bottle of Windex,

another bird will have a greater share).

 

And we also know how birdlike we are,

enchanted in every entrapment

by the promise of a clear escape

through effort, lore, and esoteric practice,

beating our heads against some great beyond,

 

beyond good and evil, beyond male

and female, beyond blame, beyond being

a bird-brained bird trapped in an airless loft —

 

smash, plop, smash — when it would be ever

so much better to retrace our passage

and go out the way we came in.

 

But who remembers going in,

or thinks of it when going?

It’s greater scope we’re aiming for

and greater scope

we often forfeit when we go.

 

 

*     *     *     *    *

 

 

Working After Dark

 

 

Let’s say it’s for my heart,

this gathering of dead branches

to lay on the dormant burn pile

in the woods beside our house,

at the edge of which we buried

your mother’s and father’s ashes

under a small stone angel

now pale in the moonlight.

 

Let’s say it’s merely exercise,

the necessity strong enough

to require my laboring at night

with a light strapped to my forehead

and a flashlight in one hand,

with only one left free to lift and haul.

 

Let’s say I finally came inside

because I didn’t want you worrying

or because my batteries failed.

Let’s say that something sensible

was all that drew me to those woods

and all that pulled me back

from where we’ll torch our pyre

once the snow surrounds it.

Contributor
Garret Keizer

Garret Keizer is the author of The World Pushes Back (2019), awarded the X. J. Kennedy Poetry Prize, and seven books of nonfiction, including Privacy and The Unwanted Sound of Everything We Want. He is a contributing editor of Harper’s Magazine and Virginia Quarterly Review.

Posted in Poetry

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