Poetry |

“Hell’s Half Acre”

Hell’s Half Acre

 

 

The day we drove across Wyoming, I pinned

my fears on home; your children’s resentments

followed me west, shadowing me like bad weather.

 

The geology itself was an aftermath,

wind-scarred and cragged like an enduring face —

that kind of beautiful. From Riverton

 

to Hell’s Half Acre, I brooded; your confusion

blurred the periphery. I wish I could

explain my anger, the menace of my dread.

 

I almost missed the sign which, along with chain

link fencing, was all that set the place apart from the miles

we’d already driven. So much spectacular

 

sameness begins to numb a person. The brittle

plains were savaged by chasms, cratered like

movie-set moons. I have been a stranger

 

in every house I’ve entered. Time reveals

itself in lines: stripes on a cliff face, rings

in a tree trunk, wrinkles across my brow,

 

cracks in our house’s foundation. We walked

the fence in opposite directions. You took

a phone call from your daughter, so I kept

 

my distance jealously. The visit lasted

no more than ten minutes. The only photograph

I took is a closeup of the fence, the badlands

 

beyond a smudge. Back in the car I wanted

to say something redeeming, but you touched

my arm so gently, I was mute. I’m sorry.

 

I see only edge and threat surrounding me —

a flawed perspective — in truth the rocks

are soft enough to crumble in my hands.

Contributor
Elizabeth Hazen

Elizabeth Hazen‘s work has appeared  in Best American Poetry, EPOCH, Threepenny Review, and other journals. She has published two collections via Alan Squire Publishing, Chaos Theories (2016) and Girls Like Us (2020).

Posted in Poetry

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