Poetry |

“In a City I’ll Never Return To” & “The Cake in My Father’s House”

In a City I’ll Never Return to,

 

 

in a hospital named for the apostle Saint Peter,

whom Jesus referred to as Cephas,

The Rock. In that exact point

 

of latitude and longitude, 40-29’ 10” N, 074-27’07” W,

that biome, that thoroughfare, that hub, a doctor

named Lydia Adler handed me off

 

to a woman who must have been joyful, who must have been

relieved because the father’s blood was positive

(hers was not). Especially since she’d lost

 

at least two, since birthing equaled coagulation, transfusions,

death. At times, Saint Peter vacillated, unsure of his faith.

Occasionally, Peter was rash. Capable of great anger.

 

My father must have been in the room, must have held me,

kissed my cheek. She bathed me, powered my bottom.

He dressed me, she undressed. The unlikeliness

 

of being fed from a breast or a bottle, the unlikeliness of a father

like a strangler fig, thriving in dark forests, where competition

for light is fierce. The unlikeliness of a mother

 

like an air plant, cousin to the pineapple, a green grenade,

a dozen baby bird beaks. Xeric. Collecting moisture

for the dry spells ahead.

 

 

*     *     *     *     *

 

 

The Cake in My Father’s House

 

 

Here they come! Out of the woodwork! Aunt Jean knocking

back half a dozen gin martinis. She’s a rummy,

they’re all rummies — Dotty, Tommy,

 

your Aunt Kate. The flash on his camera broken, so the photos

sepia-toned, like we’d all just returned from spring break,

though we never went on vacation.

 

What kind of father was he, my grandfather? One of his daughters

would drink herself to death, but right now she’s raising

a glass to her mother’s 73rd, to the cake,

 

each liquor-laced bite. I was nine, old enough to know

booze had killed my Uncles Arnold, Tony, and Jim.

Cake was supposed to be sweet. Anguish:

 

shouldn’t it be addressed? Drambuie, Sambuca, Black Bottle, Seagrams.

Cake was supposed to be sweet,

though still I ate it,

 

said yes to a second piece, refused to refuse, licked my plate.

Who knows, I thought, maybe someday

I’ll grow accustomed to the taste.

 

Contributor
Martha Silano

Martha Silano is the author of five books of poetry, including Gravity Assist, Reckless Lovely, and The Little Office of the Immaculate Conception, all from Saturnalia Books. She also co-authored, with Kelli Russell Agodon, The Daily Poet: Day-By-Day Prompts for your Writing Practice (Two Sylvias Press, 2013). She teaches at Bellevue College near her home in Seattle, WA.

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