Poetry |

“Jericho, Oxford” & “Ektopia”

Jericho, Oxford

 

Come, said the boy, I want you to meet

my friends in Jericho,

two philosopher kings in threadbare socks

and their lovelorn lady artist,

making magnificent meanings together.

I grabbed at hope, like I’d just walked off dark moorland

only to discover a yellow wedge of light

thrown from the open door of a pub

and the day-glo fag-ends of hustlers in the car-park

doing their handshake deals.

Seventeen, and shelter at last.

It was hardly Biblical, a huddled neighbourhood

even today when cottages sell for a million,

the walls so thin and the sills stained

with the blood of geraniums.

The woman who opened the door

was serene as glass, dark hair falling

the length of her back, skirt to her ankles.

She asked to draw me, and so we stayed in.

Lying in the bath was a good place to start

but we settled in the end for the pure girl face

that I turned to consider the street

down which the boy and the men had gone

in search of bookshops and better drugs.

How does a woman live with two men?

How does she love them both?

I wanted to ask so many questions that afternoon.

It must have been summer, slip-leash weather,

and I knew it already as her charcoal whispered my hair:

men don’t stay behind walls like that,

he was leaving me there for good.

If it weren’t for that weekend I might still believe

that stripping and spreading’s what passes for love,

might never have felt the small seed of failure

stuck into my tenderest flank, sharp as a needle

whenever I move. It’s the painter I long for now.

I can’t snatch back one letter of her name,

and what are the chances that she remembers

the girl who had nothing to cry for so did not cry,

the one who waited in ridiculous heels and a childish hat,

but I see her again and again. Only yesterday

a woman alone in a coffee shop, bags resting at her feet,

phone idled to a sticky sheen, caught my eye.

It can feel like a song thrown clear to the shore.

Pick it up and it hums in a pitch so plaintive

it penetrates walls. She said, you’re beautiful, you know.

 

 

*     *     *     *     *

 

 

Ektopia

 

 

Each time your father and I made love

was a rough draft stitched from skin and tongue,

 

specks of grit scattered like commas in my flank.

You the pearl, doubling each day in a queasy berth,

 

a tiny masterpiece that stole me cell by cell

and wouldn’t brook confinement.

 

You chose a flight to Massachusetts for your detonation,

ruined my jeans and soaked the fabric of 42B

 

with a sac-burst pulse that wouldn’t stop.

I had to ask a stranger for shelter for a night.

 

I managed the cleaning and arrangements

that follow even the smallest death,

 

endured the needles that probe the ridge-scars,

collecting evidence. Two years later

 

a doctor bent above me, a white carnation

in a vial of water clipped into his pocket.

 

He said only older women distorted by ambition

could suffer as I did, and I was young and

 

not ambitious, blood’s only blood.

I managed him too. It’s entirely dark

 

inside the body and I was sure of nothing.

This was a time when people said

 

what doesn’t kill you makes you stronger

and I believed it. Who knew then –

 

not your father, jail-break child, nor I –

what I’d bear in years to come, what drafts

 

tear from my secret tapestry of stars,

flung into the wilderness of space

 

for the ever expanding best?

Contributor
Elizabeth Loudon

Elizabeth Loudon‘s fiction and memoir have appeared in the Gettysburg Review, INTRO, Denver Quarterly, and North American Review among others, and her poetry in Whale Road Review, Lily Poetry Review, Amsterdam Review, Blue Mountain Review, Saranac Review, and SWIMM. Her debut novel is A Stranger in Baghdad (Hoopoe Fiction, an imprint of the American University of Cairo). A dual US/UK citizen, she spent 25 years in Massachusetts and now lives in the UK.

Posted in Poetry

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