Poetry |

“Leaving Childhood” & “At the County Fair”

Leaving Childhood

 

 

So what if the zinnias drop their skirts,

if the mock orange petals turn to dust,

the cherries sour — what is childhood?

 

I was happy, I was miserable. All I did

was sit and mope at the window, all I did

was run around in my cowgirl boots,

 

my cowgirl hat and vest, my two

six shooters I could quick draw, twirl

on my fingers, and blow bubbles

 

at the same time, though no matter

how I tried I could not whistle.  Rain

tossed its cups and saucers in the road

 

and nothing really broke. I just grew.

Warm days, I lay on my back in the grass,

getting pricked by holly leaves, while birds

 

flew in and out, red birds after red berries.

Overhead grownups hovered like crows

rasping measure up, measure up,

 

till once in a frenzy of not caring,

my sister and I stole all the grapes

from our grandfather’s arbor, pelted

 

each other and danced in the slippery splat.

Under the covers, my stammer began

talking to me. It said, How smoothly

 

you speak when you swear, Little Dear.

And: One day you will stride unafraid

through a city of subways and singers,

 

old women feeding pigeons in the park,

city of sun-struck brick, of fog rolling in.

There, you will carry your childhood garden

 

within, three parts cheery, two parts sad,

and each day, after sunset’s hot flower

sheds its petals, shadows and streetlights

 

will carry you to your door, a light

in the window and if you wish, on the sill

bright flowers you have grown yourself.

 

 

*     *     *     *     *

 

 

At the County Fair

 

 

The juggler set eight red plates spinning,

one on each branch of a kind of candelabra

while my sister and I watched, wanting

 

to see if his perfection would last

until he set them down one by one

like a waiter with a roadhouse table

 

full of drunks.  We also wanted

a clatter, a burst storm cloud of shards,

to see what the man would do if his bright

 

ruby platters crashed and skittered

at his feet — redden with shame, or shrug

and become a student of slivers and chips?

 

Suddenly, I felt sad for the hardness

of polished floors where things hit and break,

get swept up, tossed in the trash, not left

 

where they fall, to be buried under

layers of earth, then dug up centuries

later, shaken through a sieve — fragments

 

so old, to touch them would send tingles

through your fingers, leave you spinning

dizzy from all that time.  But we were

 

still watching the juggler tip first one

plate, then another, just enough to

set each carefully down on a table

 

for tea with Grandmother — an excellence

my sister and I knew we’d never achieve.

All evening we wandered the fairgrounds

 

past prize horses, prize chickens and pigs,

the best relish, best pie, biggest pumpkin,

every booth with its blue ribbon and judge,

 

and how could we, with our pimples

and braces, our unremarkable pets,

and ordinary lives, not look for a stone

 

to kick, an ice cream cone covered with ants,

an ugly woman who was nevertheless

laughing, and having a glorious time?

Contributor
Betsy Sholl

Betsy Sholl’s tenth collection of poetry is As If a Song Could Save You (University of Wisconsin Press, 2022), recipient of the Four Lakes Prize. She teaches in the MFA in Writing Program of Vermont College of Fine Arts, served as Poet Laureate of Maine from 2006 to 2011, and was awarded the 2020 Distinguished Achievement Award from Maine Writers and Publishers Alliance.

Posted in Poetry

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