Poetry |

“My Body as Hot Metal, My Body as Ornithology”

My Body as Hot Metal, My Body as Ornithology

for Pittsburgh

                                                                                                                       

1.

 

Everyone has a favorite

bridge. Liberty, Andy Warhol,

The Rachel Carson, West End.

Crows with eyes dark as little,

 

shiny mussels would nestle

together on the golden beams

above the river and scream

like the steel scalded their claws.

 

The first boy who strummed

my ribs gently in college had a lifeline

on his palm, riddled as a cable,

that I would trace in his sweltering

 

apartment. His room thrummed

with a fan, a hushed echo that blocked

the calls of birds in the morning.

I used to think his arms across

 

my bare chest were trusses.

Now, when I close my eyes, I see

him standing on the other shore.

I never told him how my father

 

was a thief, how he would climb

fences in the zoos we would visit

when I was a child and steal

plumage from the bird cages.

 

My sister and I would brush

the feathers up and down our chins.

We kept them scattered in a drawer

in our bedroom, piles of soft combs.

 

When the boy closes his eyes,

does he remember the light

barbs of my fingertips? Does he

see my elbows as the arches

 

of the South 10th Street Bridge

cradling thousands of crows?

 

 

2.

 

The Smithfield Street Bridge is said to be the oldest steel bridge in the United States.

But before, there was only wood stretched over the Monongahela, and then a second

 

bridge, too small and cramped, like the house I lived in my senior year of college,

built in 1910. There was a gnat infestation in the summer, the ceiling caved in three

 

times, and the windows were painted shut. I dreamt once that the plaster collapsed

in a flood, the gutters exploding like dozens of thrushes bursting into the evening sky.

 

In the same week, the upstairs neighbor punched a hole in the wall near the staircase, and my

roommate’s ex-boyfriend almost broke into our house. I didn’t wake up, didn’t notice

 

the kitchen knife was missing. Seven months later, we ran barefoot through the Schenley

park fountain, my legs light as the cool summer air, as though my bones were hollow

 

bearings. I always held my mace, thumbing it like a rosary, but that night I was more

of the egg than the bird, ready to split and crumble to the pulsing heat inside me.

 

In the hallway of our home, the hole was still there. I lined my knuckles

to the outline of my neighbor’s fist, the groove of her anger. I am not afraid.

 

The first Smithfield Street Bridge was swallowed by flames, the cinder dust the only evidence

of before. I like to think that herons evolved from dinosaurs, survived meteor showers, open-

 

mouthed, asking the future to feed them new bodies, and that my fingerprints linger on the wall

of that house, so hundreds of years from now, archeologists will dig up Dawson Street, pulling

 

roots from beer bottles, lace chokers, and condoms, and tap their shovels against the mound of

earth that still holds a part of me and say, Look, look. See how much we have changed. 

 

 

3.

 

Birds can feel

but not touch.

Something to do

with vibrations

from the wind

against their feathers.

I’m trying to notice

more. I’m trying

to remember the last

time I wore purple

lipstick, the dampness

of my friend’s shoulders,

her hair smelling of PBR

and smoke, as I lifted her

from the snow. Back then,

my hands were like

the Fort Duquesne Bridge:

“The bridge to nowhere.”

The ramps left unfinished,

closed off for over twenty years.

In 1964, Frederick Williams

drove across the bridge,

through the barriers,

and met the water’s edge.

He lived, never explaining

why he attempted the flight.

I’m trying to let my hands

be the car window

Williams broke through,

as he stumbled into the North Side,

unaware that for years after,

engineers would stare

at the gaping bridge against

the pulmonary blue sky and whisper,

impossible, impossible.

Hours before I dusted

snowflakes from my friend’s

hair, a yinzer clutched

my arm in a dark bar.

He told me how he dragged

his couch into the middle

of the street and set it on fire.

We defeated those goddamn Eagles.

If I press my wrist to my mouth,

I can still feel the burn of his thumb

on my pulse, a drumming that pecks

away at the pith of my lips.

I’m trying to convince myself

that Williams felt the same

burn as he stomped on the gas pedal.

That my chest holds more than flesh.

An alive humming under bone.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.