Poetry |

“Ode to Teased Hair”

Ode to Teased Hair

 

 

I spend a lot of money to look this cheap, Dolly Parton twanged

in her white suede mini-skirt and fringed jacket, her lips

a gobsmacking vermillion, her wig teased like a halo in San Marco.

 

When Covid bodies piled up in freezer trucks for months,

two mourning doves swoosh-landed on my windowsill daily,

feathers puffed up all bouffant, beaks locked, half-cocked in lust —

 

A memory of myself with a teased mop in high school shot up until

I shot it down like a drone. Boys wore leather in our blue-collar zone,

girls teased. Kids across the highway went to college and France.

 

Then again, Dolly Parton, born in a one-room cabin on the banks

of Little Pigeon River, whupped her dirt poor life into shape by singing

about dirt poor luck — but could she be smart if she couldn’t talk right?

 

Through quarantine I studied Giacometti, O’Keefe, Cezanne, Basquiat.

One day glancing up from Dustheads, I saw the male dove flutter

onto the female, almost fall off, but hang on for five seconds.

 

To shame a people call them dumb. Mock their accent,

their English. Dolly learned business from her illiterate daddy.

As a child, I wanted Christmas doves to lift me out of the zone.

 

Dolly sends millions of books to poor kids, calls it Imagination Library.

Don’t teach them their letters, the masters taught, or you’ll be sorry.

My daddy loved books: They take you where you can’t go.

Contributor
Teresa Cader

Teresa Cader’s fourth poetry collection, AT RISK, was selected by Mark Doty for the 2023 Richard Snyder Memorial Book Prize and will be published by Ashland Poetry Press in October 2024. Her other books include: History of Hurricanes (Northwestern, 2009); The Paper Wasp (Northwestern, 1998); and Guests (1990). She has been awarded two fellowships from the National Endowment for the Arts and multiple honors and fellowships from the Massachusetts Cultural Council, the Bunting Institute at Radcliffe, MacDowell, and Bread Loaf. Her poems have appeared in The AtlanticSlatePlumePoetryHarvard ReviewOn the Seawall, AGNIPloughsharesHarvard Magazine, and many other venues. Her work has been translated into Icelandic and Polish.

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