Poetry |

Poems from “The Lisa Sequence”

About “The Lisa Sequence”

Lisa Montgomery was born with permanent brain damage from her mother’s alcoholism while pregnant; was repeatedly raped and beaten by her stepfather and his friends; tortured and trafficked by her mother; and entered into a violent and sexually abusive marriage with her step-brother (at the encouragement of her mother) at age 18. She suffered from Complex PTSD as a result of these repeated traumas. Prior to her death, Lisa was held in solitary confinement and severely dissociated at the time of her execution, which was one week before Trump left office.  — Paula Bohince

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Solitaire

 

One visible North Star, and acres of snow

genuflecting, the edging trees plunged into labyrinth,

and standing within it, part of

the natural world is Lisa, in the trance of

adolescence, with nothing but distance and a longing so monumental

it was a hunger, a motor, a roar, the one, the one

up there like a promise.  Ice-seized branches cannot

answer back.  There is no friend

waiting in spring beside the rosebush’s beginnings,

no dove, no laughing jay.  Trouble, now, to remember snow

the way it was, with the mind’s paint colors muddied, congealed,

and no diamond or shine in the haze.

 

 

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Gown

 

The holding of a cold bouquet

of very last days, Xs on the calendar, counting down

to the installation of the next president.

Wearing only a thin gown, shivering within the barren field of it, flowers

wintering, blown into the threadbare last

dress, gone decades back to the colonnades and spritely fountain

of the mall, trying on gossamer

for Prom, feeling in peach chiffon the future’s itch, the boy’s

approach, the nosegay in a fridge, the dark denim of him,

the yes, the friend looking on from her locker, you at yours, at the height of

prettiness, before the clang and complex lock, dizzy

with pleasure in the mirror’s heart.

 

 

*     *     *     *     *

 

 

Stay

 

Will you let me?  We could keep on playing

in the cornfields, no one will miss us, the stalks we chop and gather

as firewood, the cobs that are our babies,

they’re all we need.  We could live in these walls, or when

your mom calls, maybe I could follow.  She could set me a plate, I won’t

eat much, I promise, I won’t be trouble, I could sleep

in your closet or in the garage, I could help with the chores.  I’ll scrub,

I’ll stir, I’ll shut up when I’m told.  No one will miss me,

I don’t need permission.  I could stay here, mouse-quiet, tucked

away, forgotten.  You won’t know I’m here.

 

 

*     *     *     *     *

 

 

Wave

 

If there had been one, or a few, the injuries may have been

survivable.  There driftwood, there some junk

from an oiler to hold onto.  The shore and its illusions kept shrinking

until postcard-small: pastel house

with a baby on the lawn, the affectionate husband, the taking

of the baby’s hand to wave goodbye to him.  The notes

from the social worker said unendurable.

She drowned, but the notes don’t say when.  We can guess.  We can see

each wave as an attempt.  To resist is annihilation, anyway.  What she became

was entirely human, monstrous, more at peace on the breakers,

out there beyond us, than tethered to earth.

 

 

*     *     *     *     *

 

 

Last

 

Imagine the last shower, in bare awareness, the feel

of needles releasing the horror of last night’s dream.  A last

waking to a flood of thoughts like the basin of some falls,

spray of memories like the last strawberries in their summer gleam,

eaten in peace in a stranger’s garden.  The last walk,

drawn down a hall, the last read passage, perhaps of Jesus

healing Malchus, whose ear was severed in Gethsemane, the last

miracle before He ascended.  The last hour waiting

for clemency that does not come, telephone deadly still, petition

ignored.  Last shifting its meaning from final to endure.

Contributor
Paula Bohince

Paula Bohince is the author of three poetry collections, all via Sarabande: Swallows and Waves (January 2016), The Children (2012), and Incident at the Edge of Bayonet Woods(2008). Her poems have appeared in The New Yorker, The New York Review of Books, Granta, POETRY, The TLS, The Irish Times, Australian Book Review, and elsewhere.

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