Poetry |

“Resilience V” & “Lying Flat”

Resilience V

 

Everything is a client of something. Even the birch

understands the power of the consumer (water, sun,

carbon dioxide). Nobody’s victim. It never whines,

I’m sessile. Mover and shaker, it does manufacturing

— yes, I can! — AND service. The birch has a brand

like Trenton, New Jersey. It makes; the world takes.

A patient on a ventilator is a client, vaxx and spend

the only way through this crisis. The birch will

innovate its way out of any pickle; the forest

is filled with Elon Musks. I never intended to get

into the business, but isn’t that what all dealers say?

I’ve got CO2 to offload and, lucky for us, the birch

is buying. Empathetic junkie with deep knowledge

of the underground economy, it’s not averse to sharing

with a nearby fir. I call it waste, not monetizing

your network. Might as well be needle exchange.

The birch must not have gotten the memo: mutual aid’s

moment has passed. A sucker is born every minute

in the forest. What’s the greatest show on earth, if not

drought, floods, and fire? A ticket-holder is a client.

Defer to the lap of popcorn, blue tongue, distracted

gaze. No clients better be harmed in the making.

We can’t afford to shut down the production.

 

 

*     *     *     *     *

 

 

Lying Flat

 

The young women leaned away from their desks and closed their eyes. “We don’t want to see ourselves in five years.” Tired of building their platforms, all the young people began to slump in their chairs. It dawned on them: their passions were brats in need of a time-out. Little by little, the youth slid to the floor, fell over like babies too wobbly to sit up. Supine, palms upturned, they cried in unison, “Lying flat is justice!” Never had they been so influential. Soon every office, coffee shop, crammed bedroom became a pop-up studio. Shavasana in the morning, shavasana at noon, shavasana all the live-long day. “No more wolf culture,” declared the youth. Stickers were distributed with the image of a possum which many wore on their forehead. One woman was overheard saying, “I want to eat oysters on my back like an otter.” This became a rallying cry for the resistance. But rather than speak aloud anymore, the youth brought their hands together over their chests: a rock in one fist and a cell phone in the other.  They tapped the rock against the phone: click, click, click. Screens cracked but the young people did not leave their backs. Freedom wasn’t ringing. Freedom was the sound of living bodies lying like clappers without bells.

Contributor
Brandel France de Bravo

Brandel France de Bravo is the author of Provenance (2008) and the chapbook Mother, Loose (2015), and the editor of a bilingual anthology of contemporary Mexican poetry. Her poems and essays have appeared in Alaska Quarterly Review, the Cincinnati ReviewCopper NickelThe Georgia ReviewGulf CoastPoet Lore and elsewhere. She teaches a meditation program developed at Stanford University called Compassion Cultivation Training.©

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