Poetry |

“Seasonal Catalog: Fall,” “The Night Before Allison’s Funeral” and “Seasonal Catalog: Spring”

Seasonal Catalog: Fall

 

As a child, I watched the lifeguards clasp hands — a human trawl — wade into the whitewash

for the body of a girl who never surfaced.

+

Somewhere else an ocean is unbroken by rain. Girls in the dark become the dark don’t they?

+

Each morning that troubles my breath back to speed is another chapter in my disappearance

            story. The promise that haunts me: You ought to wake up with your mouth full of pity.

+

Was there sand beneath my feet, or was there a television screen between me and the not-body?

Proximity never mattered when it came to disaster: every pretty face they broadcast

taught us to grow buoyant, grow unnoticed, grow jagged with car keys.

+

The heel scrapes, the steering wheel escapes me, a city street crests up to gouge the kneec

completely: Autumn, one long lesson in what makes the body breakable.

+

Two thousand eight hundred twelve miles I count between me and the Pacific, and still it culls

and culls me.

+

A siren croons its lullaby from the sea of passing headlights. Trapped in a contraption to

keep my bloodied knee from bending, sleep fights me off with worry — what will

happen if I have to run?

+

Instead of sheep, I count the things I know to be true: it would take 6,767 of me to drag

the ocean belly-deep; too late in the year for such heat; to be born girl is to enter

the world already missing.

 

*     *     *     *     *

 

The Night Before Allison’s Funeral

 

I laughed. I dragged

the best friend I had left alive

to the bar, the one we knew wouldn’t card,

and I laughed and I flirted and took a guy

by the hand to the upstairs bathroom,

and let him (or did I beg him to?) drink me in, out

of myself, out of the burning building

of my body. I’m so sorry I needed to be

so alive before the dirges were sung:

newly tattooed, beer-buzzed, and holding tight

to a boy who glowed in the dim stall like an Exit sign.

 

*     *     *     *     *

 

Seasonal Catalog: Spring

 

The skin-raking yowl at 4 AM sounds like a girl in trouble, though I know now it’s pupping

season, the low hills swollen with a symphony of coyotes.

+

Friends who still believe in god talk about life in seasons. Everything ends. Everything comes

back again.

+

Spring is always the season after the season after she left, after she died, after she died, after she

gave you no choice but to survive her.

+

I scroll fast past the part in the article that wants me to know the likelihood of coyote pups

making it through summer. Is this what the birthing sounds like, or a warni

+

Reading about our collective fascination with missing girls — for research — I learn that a girl will

be good or a girl will be dead and somehow I’m neither.

 +

It haunts me, the way Allison’s father howled when I asked to borrow her first bear — the source

of our nickname for each other—one more piece of her disappearing. There is

something so animal in grief. There is no name in our languages sufficient for that

sound.

+

It is always the season after the season I’m afraid the one missing is me.

+

Friends who still believe in god call this the season of resurrection. Last winter, I swerved to

avoid a coyote splayed on the highway, looked away. Now they regenerate. Now they

sing me awake.

Contributor
Victoria Lynne McCoy

Victoria Lynne McCoy holds an MFA in poetry from Sarah Lawrence College and a BA in “The Power of Words: Creative Expression as a Catalyst for Change” from the University of Redlands’ Johnston Center for Integrative Studies. Her work has appeared in Best New Poets, Blackbird, Cultural Weekly, The Collagist, The Boiler Journal and The Offings. She lives in Los Angeles.

Posted in Poetry

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.