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“Stop Bath” & “Lease”

Stop Bath

 

By seventeen, I knew to slide open a window without making a sound, how to run. Knew the right skirt, right angle to tilt my hip, right corner of Richmond Road to hitchhike on. Knew to avoid the Ford trucks that always stopped, and the Camaro’s that rarely did. I knew the seven sacraments, the priest who always preferred me on my knees in his office, but upright in the choir loft on Sundays. Knew the archangel, Michael. Knew the right blond wig to wear in the right hotel to pass as a tourist, in a town where everyone is drag. Knew the back of a movie theatre, how to spend an entire rainy day watching Shawshank Redemption for free and knew it was queer before I knew the word queer. Knew how to blow a stranger long and slow enough for cash for dinner. Because my mama’s check from the gas station never lasted. And hunger was familiar. What I didn’t know was how to hide cash. How to hide from a stepfather who stared, who took pictures of me against any tree on the Parkway, and then rocked my smile closed, immersed in a chemical developer before halting with a stop bath. Only to clothespin my headshot across the shower rod.

 

 

*     *     *     *     *

 

 

Lease 

 

 

When an object reverses

direction

its instantaneous velocity

is zero.

Distance and time

are ghosts of estrangement.

Longing never ceases,

nor does reason.

 

How can I take up residency

in another

when I have known only

how to squat?

I have never been an owner,

always on lease.

How can I place a sign

that says welcome home

when I have never thought

I was sovereign,

a structure worth bending.

 

I move to the space of other

another, any other,

evacuate then lap in

and out of another sack of flesh

with irrelevant names.

Begging  the other to do the work.

 

What would it mean to not leave,

to cease lapping the nameless?

Would grace come?

Would I recognize her?

Would she know my name?

 

Contributor
Sarah Jefferis

Sarah Jefferis’ most recent collection is What Enters the Mouth (Standing Stone Books, 2017). Her poems and nonfiction and fiction have appeared in The North American Review, The Cimarron Review, Rhino, The Mississippi ReviewThe American Literary ReviewThe Patterson Review and others. She has been a poetry and fiction fellow at the Squaw Valley Community of Writers and held residencies in poetry and creative nonfiction at the Constance Saltonstall Foundation for the Arts in New York and The Studios at Mass MOCA.

 

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