Poetry |

“The Gulls (The Eagle)”

The Gulls (The Eagle)

 

 

When the water is windswept and turbid, the breakers less like delicate keys thrumming

hypnotically, the elegant purr of a piano scale when fingers ripple cleanly down the

 

instrument’s backbone, and more like hard slaps against the packed sand, when the lake is

the same carp nose gray from the shore to the skyline, the same goose pimpled surface

 

undulating imperfectly, more unpredictable than anything, the hungry gulls falteringly float,

bodies caught up in the gusts above the tips of the cottonwood holding up the dune, wings

 

stretched over the hard air currents, over the sand through which as much is visible to them

as in the water, wherein yesterday I watched them dive as gracefully as gulls could dive into

 

the surface and pluck herring after herring that, having given up, hung slackly at the surface,

stupefied, and their pearly tails flashed half-heartedly from the gull’s dull beaks as they

 

dashed over the tops of them and into the air, wherein they would swallow their catch and

repeat that same greedy gesture all morning, they feasted, and even near the shore gathering

 

one, two, three, and suddenly six. It’s true, I’ve never considered gulls as birds that gravitate

toward each other like geese, like cardinals, like starlings, vulgar as they are, how could

 

proximity, how could tenderness come naturally? And it’s true I’ve never seen seagulls even

touch each other, though I have seen them collaborate to signal and distract, I’ve heard them

 

shriek and conspire, their ugly rasping harks, shearing the space between towels lined along

the burnt-sand beach as they celebrated having emptied the contents of a swimmer’s purse,

 

the Cheeto-lined pockets of an ex-boyfriend’s jeans. And this morning, too, after I told my

son I saw an eagle soar past the window, his expression was unphased on the FaceTime

 

camera. I said he didn’t seem hungry or cold or in a hurry, just passing, the way a bald eagle

might, the way a sated predator might, under the cover of nothing, bored with the same

 

hunting, the same scurrying beneath him, the way a man on his way to work will keep

walking the same crowded path each morning singing to himself the same irritating tune.

 

That’s how you know you’re in America, my son said, and we laughed. Of course, he knows

already there’s more power in our talons than our tongues (the trick, of course, to learn to

 

use the tongue). The gulls, the plover, the hummingbird, too, respond accordingly, retreating

to the interior of the ashy cottonwood. Even the jay ducking in the dune grass. And after my

 

son and I said goodbye, I thought about how what I might have said was that we also know

we’re in America by how our feelings of sanctuary change from state to state, city to city,

 

forest to garden, by testing the imaginary lines scrawled, the borders between the base of the

lake and the air with the gulls and how overnight all the lake’s clear depth for hunting is only

 

turbid water ready to pull your body under, and I wanted to say more about how danger

hangs ready inside us, a gull waiting to pierce the surface with its thirsting, an eagle flexing

 

hard along the beachline, daring anything to try him. Certainly, the national bird wouldn’t

ever appreciate the fear and relief one could feel on a cross country road trip, knowing at the

 

border there’s some sudden law against him, or not, or the shocking relief a woman, having

been stripped of her uterus, having already had her necessary abortions, the selective

 

reduction, her impenetrable euphemism, might feel when her feet hedge four corners at once,

her unmedicated procedure involving such careful impalement, a thick sterile needle

 

through the skin of the abdomen not once but twice, to reach the uterus, to reduce three

budding bodies to one, the success of which is predicated upon passivity, not flinching at

 

very sight of the instrument, the pressure of its steel in the stomach, but instead melting into

the surroundings, gray sky in a gray lake, becoming more bed than occupant, more dune

 

than bird nesting in its grasses, and how unbearable, how much more like betrayal, denying

the instinct to fight back – though at least, finally, here we’ve arrived at the heart of the poem

 

about an eagle and gulls, neither of which I ever loved much anyway. And now I love even

less, though I’m working on it. I’m in recovery. The wolfish birds’ bluntness stripped of any

 

majesty, especially the gull, a straight scavenger, loner, user, tag-a-long, plundering garbage

mouth. And there are so many names I, too, have conjured for myself, which change like the

 

depth of visibility of water depending on the day, depending on whether I can look at

anything hard enough to see it. Sometimes the voice of the doctor saying you’ll die, you’ll all

 

die, ringing in my ear in the morning, her voice the same voice that said I didn’t have to

watch as my spouse told me the story of an island where the waves made no sound upon the

 

shore, where the sand was just as bright as the love I had for our one maybechild, the one I

hoped to save, and for myself who I also was trying to save, I think, I think I was trying to

 

save her. I don’t know what I saved her from. Sometimes the voice in my head mumbles out

the words I spoke when I saw their tiny figures curled into each other, sharing the same

 

micro-placenta, on the screen before I can silence it with the clasp of my hand, when I saw

the needle entering their bodies where I knew the doctor knew where the gathering of cells

 

that would be their hearts were flitting. Sometimes it’s the voice in my head that reminds me

I said nothing after all. I could only watch what was happening to me happen to me, a

 

stunned fish on its back, belly up at the surface of the water, head dipping toward the

depths, the pressure of gull beak making me suddenly dizzy. There was a chance we could all

 

die, wasn’t there? But wasn’t there a chance we could all live? Much smaller, though, right?

She said that. There was a choice I had to make and I made it. And sometimes I think the

 

voice in my head tells me I didn’t make it. That everyone else made the choice, and I floated

instead like a gull over the surface of its water, searching for the lone fish separated from the

 

school, for any glittering evidence to feast upon, anything certain to chew and swallow, to

feed the eventual wreckage in my body, something physical, something obvious, something I

 

could dive into and maybe never resurface from. I still feel that way sometimes. Sometimes

the gull. Sometimes the memory of fish. Sometimes the licked-clean bones at the bottom of

 

the frozenover lake. Sometimes the gull in the sightline of an eagle who would know, just by

the height of his soaring, all the business below him. No one is eating today, so stop your

 

trying. He knew my secrets before I knew them myself, borders dissolved at such a great

height, wanting me to take the risks anyway, choke down the shimmering lie before he could

 

swoop in and kill me, before I could martyr myself on more turbulent water, if that’s what I

really wanted. If there’s still time.

Contributor
Carey Salerno

Carey Salerno is the executive director and publisher of Alice James Books. She is the author of Shelter (2009) and Tributary (2021). Her third collection of poems, The Hungriest Stars, is forthcoming from Persea Books. She serves as the co-chair for LitNet: The Literary Network and occasionally teaches poetry and publishing arts at the University of Maine at Farmington. In 2021, she received the Golden Colophon Award for Independent Paradigm Publishing from CLMP for the leadership and contributions of Alice James Books.

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