Poetry |

“The Monitor,” “Dust” and “Bottle Green”

The Monitor

 

Thursday and the city’s

only sound the promise

of illness, its galloping heart.

 

The after-rain quiet

just collateral.

 

Over Doppler, its beat might rhyme

with the fetal one that echoes from

the exam room down the hall.

 

Suction makes a seal,

releases: sterile kiss.

 

Obsessed, like all valves,

with opening and closing,

both might map their growing

 

spheres of influence, capacity

for independence:

 

abdomen, bladder. Wriggle

the fingers and toes. Fill

one lung, then the other

with a practice breath.

 

Front doors keep our faith in closed

circuits. Oh, just this familiar air

coming around again, the lungs’

 

sung refrain, the skin’s

invisible friends.

 

In the waiting room, pregnant women

hover inside envelopes of

somebody’s absence. Inside houses,

 

people Google who

will deliver to me now?

 

*     *     *     *     *

 

Dust

 

Confined in the house of my body, I begin

to notice dust — fine snow over

piano keys, crumbs of plaster swirled

in doorways. Gatherings of the never-

anymore-touched.

A barely visible congregation

assembled to worship the deity of

time gone by without

bends prostrate in

the thickening dusk, not to be confused

with dust, though both emerge

at the ends of things; both find safety

in abandonment.

 

Only in the sun that fills

the eastern window after washing,

at an hour by which in freer times

we’re usually threaded along

the seams of our days –

 

(however will we make,

we wonder, this room dark enough

for baby) —

only there can I trace

 

the patterns on the laminate,

where I with a brush, half-hearted, on some

Tuesdays, have tried to disperse

the crowd. As if just by jangling

my bones like keys

I could force the shamash to crack the door,

cancel the endless, voiceless sermon,

banish the stillness that choruses

 

in every unswept corner, composing

 

melodies of a single note, held until

 

the breath gives out.

 

 

*     *     *     *     *

 

 

Bottle Green

 

Day eighteen and the copper face on the floor at dawn

says east, west

 

You’ve gone downstairs early. I pluck the parts of my body

that tighten with blood; they make

 

a tense music. Dream says: try not to banish the wave

at its gentle crest, try

 

to slip your head under its emerald kindness, emerge

slick and crusted

 

with tiny crystals. Or let it buoy you, collect your limbs

like rags from the factory floor,

 

set you down on its loose bed.

Oh for the summers

 

we dozens dotted the shoreline, daring a little further

into the ocean’s unmappable

 

color, once called bottle-green, now reflecting no vessel

it swallows or gives up. But we

 

were green then, bits of rough-edged glass, broken

on the bias.

 

Fathers and daughters, teenage sons, swimmers lapping

steadily against

 

the purr of speedboats. Waiting in our loneliness

to be lifted from the earth,

 

to be desired by the stoic moon. For the will of salt

to polish us

 

until some evening, late, the boardwalk lights

extinguished, we might glint

 

with pricelessness, condition made of never being

bought or sold.

 

 

Contributor
Leah Falk

Leah Falk is the author of To Look After and Use (Finishing Line Press, 2019). Her poems have appeared in The Kenyon Review, Field, Electric Literature, Best New Poets, Verse Daily, Poetry Daily, and many other places. She’s received support from the Yiddish Book Center, Asylum Arts, and the Vermont Studio Center. She directs programming at the Writers House at Rutgers University–Camden and lives in Philadelphia.

 

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