Poetry |

“Great Egret”

Great Egret

 

 

Will I ever say the bird’s name

without hearing an echo

of regret? As if I’d summoned her,

 

an egret materializes

in the shallows’ mirror:

tall, ethereal, a study in white,

 

while just under the surface

what she might seize

if she succumbed to hunger

 

darts away. What is she waiting for —

unmoved by a muskrat’s splash

or the red-wing that flares up

 

out of the cattails, even a skein

of her kind about to vanish

above the thinning trees.

 

In the wetland’s liminal light

I’m returned to the old story

of the swan maiden —

 

that bird-girl, wife, mother,

then bird again when she reclaimed

her feathered cloak, stolen

 

not by someone else

in the version I tell myself,

but by years. And years.

 

As long as it seems to take

the egret to turn

and fix her quizzical gaze

 

on me: earthbound,

snowy-haired,

this late, still wanting.

Contributor
Allison Funk

Allison Funk’s sixth book of poems is The Visible Woman (2021, Parlor Press). She is a 2022 Fellow of the John Simon Guggenheim Memorial Foundation. Her poems have appeared in The Best American Poetry, Paris Review, Cincinnati Review, Poetry, Beloit Poetry Journal, and elsewhere. She is a Professor Emerita at Southern Illinois University,  Edwardsville.

Posted in Poetry

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