Poetry |

“The Underworld” & “Mudman”

The Underworld

 

 

I type in the name of the sister I lost.

A number pops up on the screen, along

 

with two coordinates to guide me through

the vast array of waist-high cuboids,

 

marble like sarcophagi, but plain as pine.

I press on through the half-light, reaching

 

at last the crossing where she’s kept. Amber

light projects her number on the plinth.

 

Make no mistake. This is the one you seek.

If you wish to continue, say her name —

 

aloud. I do as I’m told and the marble

slides open, revealing my sister’s head

 

and torso. Don’t be shocked. Legs are useless

in this place. All they do is take up space.

 

I look down at my sister, who hasn’t aged

in forty-eight years. No sign of decay.

 

Her eyes blink open — like a doll’s, frozen

with terror. This is what your mother saw.

 

When I look away, her hands fly out

from under the shroud, flailing at first,

 

as if they weren’t connected to her brain,

then, seizing my wrist, she sears it with cold,

 

as if burning could cancel out absence.

She’s holding on the way I can’t let go.

 

 

*     *     *     *    *

 

 

Mudman

 

 

I’m watching a friend make cassoulet

à la Julia Child with pork skin, sausage,

mutton, goose confit, haricot beans,

when the back door opens, and my father

walks in, smeared with mud and oil

like a soul from a bog in Dante’s Inferno,

but nonchalant, as if he’d just brought in the mail.

 

He takes off his boots — it was his house, after all —

while my friend shoots me a flummoxed glance:

why have I let this vagabond in?

But he knows not to argue, and ends up

inviting the vagrant for dinner. My father

declines, says all he wants is a single poached egg

with buttered toast and a cup of fresh coffee.

 

He edges past us, careful not to soil our clothes,

and wanders through the living room, taking

a moment to gaze at his chair, then climbs

the front stairs without a pause to catch his breath.

At the landing — perhaps for the first time — he keeps on

going without stopping to tap the barometer,

sailing on past as if weather were nothing.

 

At the top of the stairs our old dog stirs, his tail

thumping hard against the rug. The bathroom door

closes. Water runs in the claw-footed tub. Later, ruddy,

clean-shaven, my father joins us, his eyes burning blue

like stars. He sits down, sips his coffee, begins,

slowly, to eat his egg, then turns to me and smiles —

as if he knows the past won’t find us here.

Contributor
Jane McKinley

Jane McKinley is the author of Vanitas, recipient of the 2011 Walt McDonald First-Book Prize (Texas Tech University Press). Her second collection, Mudman, is forthcoming from Able Muse Press. She is a Baroque oboist and artistic director of the Dryden Ensemble. Her work has appeared in The Georgia Review, Five Points, Tar River Poetry, on Poetry Daily, and is forthcoming in Great River Review, The Georgia Review, and The Southern Review. She was awarded a 2023 Poetry Fellowship by the New Jersey State Council on the Arts, and lives in Hopewell, New Jersey.

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