Poetry |

“The Zone of Instability,” “Bevy of Beauties Blacking Out” & “This Wee Lock”

The Zone of Instability

 

 

In Labinot Mal, Albania,

where Ever Hoxha was born,

everyone

knows his last words:

 

I have protected you

with all my strength. 

Unless he said: Don’t leave

sheet music praising the fruit

 

of my magnanimous deeds

anywhere near an anthill.

Or perhaps it was: Some perfectly

useless fool

 

left the stage door open. 

In Labinot Mal, no one

wants to remember

the voluptuous black snake

 

shooting out from the base

of Enver Hoxha’s ten-foot

bronze statue

as it was removed.

 

In Labinot Mal, an old woman

worries: After my daughter’s gone,

who will watch over

the Supreme Comrade, helpless

 

on his back, out there

in the stable,

covered

with bird shit and straw?

 

 

[Enver Halil Hoxha, an Albanian communist politician, was the authoritarian ruler of Albania from 1944 until his death in 1985.]

 

 

*     *     *     *     *

 

 

Bevy of Beauties Blacking Out: American History as Found in an Article from Life Magazine, May 12, 1961

 

            One, two, three, four,

            Scrape the make-up from the jar.

            Five, six, seven, eight,

            Slap the make-up on your face. 

 

To these instructive words, the bevy of beauties applies blackening to their beatific White faces. The nearly full-page photo displays some of the seventy-three members of SHARE (Share Happily and Reap Endlessly), an organization of movieland housewives who put on an annual minstrel show to build a diagnostic clinic for retarded children, the anonymous reporter explains. Each ecstatic face a cup that runneth over. The fair ladies perform for a $100-a-couple audience, we learn, which includes the critical gaze of such awesome stars as Dean Martin, Tony Curtis, and Milton Berle. The show not only raised $150,000 but started a dandy guessing game — which pretty wife was under their smudgy disguise? To give us a small taste of the festivities, two photos follow of white-lipped ladies in straw boaters, white gloves, and blackface, rehearsing a cowgirl-style minstrel number. White-gloved hands playfully placed across their knees. Did they sing and strut to “Old Kentucky Home”?  “Jump Jim Crow”? Or maybe “Massa’s in De Cold, Cold Ground”?  What a historic loss that we don’t have a recording of the event.

Turn the page, and there’s The John Birch Society: Patriotic or Irresponsible, It Is Subject of Controversy, with a photo of ultra-Americans, who all happen to be White, saluting the American flag, hand on heart, in a Chicago living room. Each ecstatic fulsome face a cup that runneth over.

I’ll take this issue of Life out to the recycle bin and toss it in with the other detritus. No one will ever see this copy of the bevy of black-faced beauties again. Or is that exactly what you want of me, America?

 

 

*     *     *     *     *

 

 

This Wee Lock

 

“I shall never give you anything again that will be half so full of sunshine as this wee lock of hair, but I wish no hue more sombre might ever fall to you.”

– Emily Dickinson, letter to Emily Fowler Ford, a friend

 

 

You can now possess a lock of hair

that once might have been attached

to the head of Emily Dickinson

 

for $450,000 on eBay.  The owner, Mark

            Gallagher, bought the hair for $800

and hopes to use the profit

 

from the sale to pay off his massive college

loan debt, he says.  The brown lock,

which resides in an envelope

 

labeled, in cursive, For Mrs. Dickinson,

was part of the estate sale for

J. D. McClatchy. After

 

the death of James Merrill, McClatchy

and a friend were going through

the belongings of Merrill’s

 

and came across an 1890 copy of Dickinson’s

poetry, the first published collection. Inside

the book, they found the yellowed

 

envelope with two locks of hair, one blonde

and one brown. Causing them to exclaim:

This is from Emily Dickinson’s head!

 

Their friend James Merrill loved to tell the story

            how as an undergrad at Amherst College

 he and two friends broke into

 

the home of Dickinson’s niece and stole a small

mirror, a sherry glass, and an envelope

containing, perhaps, Emily Dickinson’s

 

hair.  In an interview in Poetry, Merrill claimed

            he had borrowed and rescued the hair.

                        Though he also stated he had

 

gained clandestine entry to the house.

Stephen Yesner, Merrill’s literary executor,

often heard Merrill tell the tale.

 

Yesner and McClatchy both kept a snippet

of the two locks of hair.  And now Gallagher,

a professor of English who teaches,

 

yes, the poetry of Emily Dickinson, offers

the buyer of the wee brown lock the chance

to be transported, farther than any

 

mere words on a page could ever arrange.

Contributor
John Bradley

John Bradley‘s poetry has appeared in the American Poetry ReviewCaliban, the Diagram, Lake Effect, the Pedestal, SurVision and other journals. His most recent book is Hotel Montparnasse: Letters to Cesar Vallejo, a verse novel (Dos Madres).  He serves as a poetry editor for Cider Press Review.

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